Saturday afternoon, after a mild and satisfying week, I watched a video about Tom Kenyon – “Song of the New Earth” – then turned off the computer and sat back to try to “tone” for the first time in years.
I’ve had amazing experiences with sound before, most notably when I went to hear Tuvan “throat singers” (shamans from Tuva, Siberia). I was seated directly in front of one of the didgeridoos, it’s base angled slightly away from me, and throughout the performance I experienced energy knots in my aura explode and dissipate away with the shamans’ sounds. Subtly, I turned, twisted, and bent to present different aspects of my energy field to the healing vibrations.
At one point in the video, Tom said something like:
“All can learn to use sound to be healers for ourselves and others.”
This, I knew, but I also knew immediately it was for me to embrace now.
When the video ended, I sat, intending to make sounds that simply felt good to me – a welcome change from “simple” meditation, which sometimes is so difficult, trying to keep a half-dozen minds quiet.
Immediately, a tone emerging from me felt like “it,” and I intuitively worked to “send it around” to different places in my head. On my second toning, I was surprised but pleased, to hear an overtone – the thing that had seemed next to impossible for me, since I’d tried this once many years ago. But now, my dozens of tonings resulted in two or three overtones every time after the first, and sending sounds to different places in my skull and aura around my head and throat and heart.
A few times, I experienced serious pain in my head and around my eyes, but didn’t think it was necessarily a bad thing. It lasted a short while, then seemed to “break through” something – an energy block from some old wound, I assumed – and I immediately began exploring new areas, always on the left side of my head. (The right side always felt open to sound; it’s the left side that’s always where “my stuff” is.)
Eventually, I found I’d not only made three tones at once, but I’d learned to move them around, make them break through blockages, and become more attractively harmonic!
This morning, I practiced toning again with Greg present, and maybe because I felt shy, I didn’t practice long and could only produce a single overtone – but he heard it! This thing I thought impossible I can do!
Something else in the video excited me immensely! In “Song for a New Earth,” Tom recounts a story from young adulthood in which he was mystically drawn into another dimension where he encountered strange beings who asked him if he will “sing the song of the new Earth.”
Being whisked into another dimension is a favorite theme of mine, of course – I love it when others share something that helps me understand my own similar “crazy” stuff. But I was totally unprepared to see an image – drawn by artists, presumably with Tom’s direction – that nearly perfectly depicts the environment of an extra-dimensional encounter I had in 1999.
I was still healing from the shock of remembering, five years earlier, childhood sexual abuse, but I’d not yet understood I’d also been a mind control subject. I prayed constantly for information that would help me understand my torment, and one day I was offered the opportunity to go into a terrifying place.
I was suddenly at the mouth of a cave that looked nearly identical to the one drawn for Tom Kenyon! He met an aboriginal man there twirling a fire stick. In a similar environment, I spoke with huge bats that seemed to be part of the cave’s dripstone, which in my vision were thicker so that they blocked more of the view inside than this depiction. One other difference is that the cave felt like the mouth of a living thing.
The bat people emerged from the living columns near the front where they encouraged me to enter and learn everything I wanted to know about what had happened to me – just what I’d been praying for for years. In wheedling, syrupy tones, they encouraged and terrified me.
Inside the cave I imagined – no, felt – a torture chamber or something equally repugnant, from which I might not find it easy or swift to return. One part of me tested the idea to “be brave” and enter the passage – but I decided to wait for knowledge and turned away.*
Tom, in his vision of the red cave with the aborigine, when asked whether he would sing the Song of the New Earth, answered he didn’t know. In this life, of course, his answer has been affirmative.
Watching the video, each time he answered that he didn’t know, I answered aloud, excitedly, “Yes!” and “I will!” Now, I’m curious to learn what it might mean.
It may – for me – mean simply more of what Greg and I already do – sing “good” songs – about love, friendship, home, community, nature, and cosmic mysteries, or the song-and-story sets we’re developing, especially my favorite “cosmic” set with songs of extra-dimensional travel and mystery by Bob Dylan, Jackson Brown, Neil Young, and so many others who write explicitly or hint about travel and beings in the multi-dimensional cosmos.
I’ve long resonated with a vision I once read, of Earth’s humans, cooperative and aggressive, dividing into two dimensions of future Earth, divided according to their vibrations.
Not divided by doctrine, words, which have been used since the beginning of civilization to tell lies, but in vibrations. Each of us, human, mountain, and star, singing, harmonizing, creating the vibrating river of Song to the New Earth.
The rest of my week has been almost uneventful, except for one set of small suspicious wounds where the sun don’t shine and one unhappy personal encounter. We hosted friends for a small potluck-fire-music party one evening, which I love even though I usually get overwhelmed by the numbers of people and then unsure about myself in bouts, even among friends if there are a few, and more overwhelmed if there are a dozen. Worse, a stranger arrived with a friend I thought knew better and set off my alarms, distracting me off and on for the entirety of the party. Despite that, we’re feeling blessed and grateful for the gathering in our home!
I’ve decided to tell guests more clearly not to bring others. (Help?)
* I believe I’ve received enough of that information – in bits and pieces – over the years and, even so, it has often been nearly too much to handle. Everyone in healing: We really do need to be careful what we pray for, qualify our prayers [“Thy will be done”], and not push the river. Psychotic break-downs and suicide can result. Trust your Helping Spirit Family to guide and pace you in uncovering repressed information.
LOL If you only tried overtone singing *once*, that might explain why you didn’t learn it years ago. 😉 It usually takes some dedicated practice. I’m not really a great overtone singer, but I manage some quite audible tones. There’s videos on youtube that show you how it’s done, and I just found this: https://accessingyourhigherself.wordpress.com/2009/03/06/learning-overtone-singing-for-accessing-the-higher-self/
Have you seen Tom Kenyon’s website? He has many of his sound meditations on his free listenning site, besides articles about the neurology of the brain and the heart in relation to sound. Here is his Listening site; if you agree with the terms you get access to the recordings: http://tomkenyon.com/listening
I’ve been working with sound for years, but I still have to record stuff that I can upload. I had some sessions with a clairvoyant and he confirmed that everything I had been singing for had been precisely there as energy form. I was quite amazed!
So yeah, keep going! Singing songs is one part of it, but by no means everything you can do with your voice! 😉
And the New Earth is on its way … you can sing for it to become more manifest and visible every day.
Thanks for all the encouragement! I’m on Tom’s website now. ;}